Soaked

Art & poem by Elizabeth
SOAKED


I want you in my home to know you’re not alone
in those long-shadowed halls paced by perpetually
lost—dementia scouring their last stains of memory

more than safe,
I want you to feel safe
yet I’m drowning in this
deep dank bog of lung

rain sluices from leaves beneath a starless sky
as distant shouts urge me to find my way back
yet I am beyond lost having unwrapped and dropped
their safety rope from my waist so I could reach you

all my cells replicated yours when you were
my sole cord to life—for that I worshipped you
till the God, Hormones, ascended


as I stumble over elephantine roots,
machete through plants so large dinosaurs
must still exist on this swampy earth,
my lungs match each step's suck of mud,
every breath a drowning, yet I won’t
release this taut line between us mottled
with white ash and blood dark wine nor
understand how your Emmental brain
won't let you walk or know where you are
in time, yet provides lucid wit and end-
less memory for the inconsequential



years now since I severed and flung
our rope in your flames yet you remain
tangled as worry and seared to my palm
when I reach for you in wake or in dream
unable to rest or breathe for want of you



Thank you to the editors of Melancholy Hyperbole for first publishing this poem in an earlier version.

Magic!

My favorite photographs have been unexpected: a double image, something I hadn’t seen when I took the shot, or a photo I didn’t intentionally take yet captured what I hadn’t seen.

photo by Elizabeth

The first shot is what I could see: a sun-drenched hiking trail with rocks and almost no vegetation. The washed out flower at the center of this shot is the same flower in the next, though it was hidden in plain sight till a fluke of light and perspective revealed its magnificence.

photo by Elizabeth

My only edit to the first photo was to reduce the light and slightly increase the definition so the vegetation in the center was visible. The second shot resulted a split second later due to an inadvertent twitch of my finger. I gasped when I saw the second photo, which is unedited, while the third photo is my edit of the second. For me the second shot is what makes photography magic!

photo by Elizabeth

If Bird

poem & photo by Elizabeth
IF BIRD

You would be my loon
calling long past light, 
my mourning dove, my
sweetest finch flashing
sun from black as night.

If my bird you were I’d
feed you nectar from my 
palm and plant thick trees
for you to rest and nest until
I could transform my arms
and hands to feathered limbs—
our hearts remade as song.

Thank you to the editors of The Tishman Review for first publishing this poem.