Since 2020, five billion people have become poorer, while the world’s five richest men have more than doubled their fortunes—at a rate of $14 million per hour.
SOAKED
I want you in my home so I know you’re not alone
in the shadows of those long halls paced by the lost—
dementia scouring their last stains of memory
more than safe
I want you to feel safe
yet I’m drowning in this
deep dank bog of lung
rain waterfalls from every leaf under a canopy-darkened sky
as distant shouts urge me to find my way back yet I’ve
unwrapped and dropped the safety rope from my waist
so I could reach you, my cells having replicated yours
when you were my cord to life—for that I worshipped
you till the God Hormones descended
but now I stumble over elephantine roots,
machete through plants so large dinosaurs
must exist on this swampy earth—
my lungs matching each suck of mud,
every breath like drowning yet I won’t
release our taut line twined with ash and
splotched with wine dark as our blood
though your wit’s still quicker and
memory better for the inconsequential
years since I severed, burned, flung this rope over the
cliff yet once more it’s seared to my palm and
tangled as worry—I reach for you in dreams and wake,
unable to rest or breathe for want of you
Thank you to the editors of Melancholy Hyperbole for first publishing this poem.
Between stimulus and response
there is a space.
In that space is our power to
choose our response.
In our response lies our
growth and our freedom.
~Viktor E. Frankl
My favorite photographs have been unexpected: a double image, something I hadn’t seen when I took the shot, or a photo I didn’t intentionally take yet captured what I hadn’t seen.
The first shot is what I could see: a sun-drenched hiking trail with rocks and almost no vegetation. The washed out flower at the center of this shot is the same flower in the next, though it was hidden in plain sight till a fluke of light and perspective revealed its magnificence.
My only edit to the first photo was to reduce the light and slightly increase the definition so the vegetation in the center was visible. The second shot resulted a split second later due to an inadvertent twitch of my finger. I gasped when I saw the second photo, which is unedited, while the third photo is my edit of the second. For me the second shot is what makes photography magic!