Category: poetry

Graffito

poem & photo by Elizabeth

GRAFFITO

Three distinct letters, 
discrete as whispers
yet stark as sunrise,
stain this park’s 
concrete wall. 

S insinuates 
the dark entrance,
secret from those
passwordless,
but once in, one
snakes along this
sinuous passage

toward E, 
which sighs
like a wind-filled
cavern 
in the fold of a word
so bare 
it exposes the language of pores 
opening like stomata 
along nerve-laden skin,
of tongues probing  
tasting  moistening  unveiling
revealing the voracious 
pulse and press of pelvis  
belly  
even neck, bared 
for the thin membrane of skin,
primordial as sound rising 
from ancestral marrow
formed of molten rock and sky-filled sea

before X marks the space 
within and between.

Thank you to the editors of HOT FLASHES: sexy little stories and poems for first publishing this poem.

Touch

poem & photo by Elizabeth
TOUCH

hands awaken 
stars in skin
till our palms
press peace
deep as breath

yet this snow-blind 
animal need for touch
shared by grooming apes
and dogs sleeping entwined
is rarely about sex 

but instead our primal need to know 
we are not stones tossed out to sea
as we breathe the same air
molecules shared
in this brief habitation of skin

Thank you to the editors of 5AM for first publishing this poem.

Dark in Light

photo by Elizabeth

DARK IN LIGHT


Wanted to show you the moon
but cruised off the wrong ramp
and wound up in a war zone
where there is no curfew:
men standing solo in the middle of the street
or huddled, talking beneath burned-out lamps;
				
wanted to show you the soccer moon
but drove down darkened roads with bars 
enclosing windows and doors,
barbed wire spiraling a hardware 
store and nursery—planks and daisies 
out of reach;
	
wanted you to count the seas
across that haloed orb
but drove alone 
through neighborhoods as treeless
as that dog-song moon;
beat-up cars driven 
beyond unmarked borders
pulled over by uniforms 
with clubs and guns,				
jagged tension cutting concrete air;
				
I want to know who 
declared this war of Americans
against Americans:
children peer from sheeted windows,
women hide behind hollow doors,
a man looks up from an empty street, 
each of us equal 
distance from the sun’s reflective sphere.

Thank you to the editor of Something Like Homesickness for first publishing this poem.

Día de Muertos

painting & photo by Elizabeth

THE CHOIR

I walk and I rest while the eyes of my dead
look through my own, inaudible
hosannas greet
the panorama charged serene
and almost ultraviolet with so much witness.
Holy the sea, the palpitating membrane
divided into dazzling fields and whaledark by the sun.
Holy the dark, pierced by late revelers and dawnbirds, 
the garbage truck suspended in shy light, 
the oystershell and crushed clam of the driveway, 
the dahlia pressed like lotus on its open palm.
Holy the handmade and created side by side, 
the sapphire of their marriage, 
green flies and shit in condums in the crabshell
rinsed by the buzzing tide.
Holy the light--
the poison ivy livid in its glare, 
the gypsy moths festooning the pine barrens, 
the mating monarch butterflies between the chic boutiques.
The mermaids handprint on the artificial reef. Holy the we, 
cast in the mermaid's image, smooth crotch of mystery and scale, 
inscrutable until divulged by god
and sex into its gender, every touch
a secret intercourse with angels as we walk
proffered and taken. Their great wings
batter the air, our retinas bloom silver spots like beacons.
Better than silicone or graphite flesh absorbs
the shock of the divine crash-landing.
I roll my eyes back, skylights brushed by plumage of detail, 
the unrehearsed and minuscule, the anecdotal midnight
themes of the carbon sea where we are joined: 
zinnia, tomato, garlic wreaths
crowning the compost heap.

 Olga Broumas

Día de Muertos

Inception

poem & photo by Elizabeth

INCEPTION


She asks,
wants him 
to be the first. 
As if the other 
were a ripened peach,
easily bruised,
they time their movements
to the ancient 
pulse of 
hearts 
then
seas.

Sharp tears through
hidden flesh
steal her breath.
They stop,
begin again,
relentless clock counts towards curfew.

Soothed by his hot sweet breath,
she rests in his embrace—
linear time shifts to the relative distance
between innocence and experience—

she arches,
accepts whispers
fingers
lips
as he eases her through
surmountable pain.

Her chrysalis rips,
new life emerges:
    	the harsh sun
    	scent of clary sage
    	wings drying in a warm breeze.

Thank you to the editors of Hot Flashes: sexy little stories and poems for first publishing this poem.

Gram

poem & photo by Elizabeth

DREAMING OF GRAM

It was the way her eyes rolled 

as she flashed her pack of cigarettes
while I was explaining the impact of 

environmental illness, as if anyone who 
acknowledged the body’s needs, who didn’t 

do what they wanted despite physical 
limitations, was a whiney little roach

as evidenced in her smoking while sporting
an oxygen tank for advanced-stage emphysema—

I’d had it with the family code of fuck-your-body-
till-it-drops exemplified by our matriarch so I

got in her emerald eye-shadowed face framed with
brilliant orange hair and said: I don’t like you and if you 

want me to feel anything positive about you when you die, 
you need to demonstrate a shred of decency now

then I stepped to the other side of the bed.

Perhaps she rose from where she’d 
crouched between bed and wall and left, 

but for me, she disappeared.

Thank you to the editors of riverbabble for first publishing this poem.

America

photo by Elizabeth
AMERICA

Although she feeds me bread of bitterness,
And sinks into my throat her tiger’s tooth,
Stealing my breath of life, I will confess
I love this cultured hell that tests my youth.
Her vigor flows like tides into my blood,
Giving me strength erect against her hate,
Her bigness sweeps my being like a flood.
Yet, as a rebel fronts a king in state,
I stand within her walls with not a shred
Of terror, malice, not a word of jeer.
Darkly I gaze into the days ahead,
And see her might and granite wonders there,
Beneath the touch of Time’s unerring hand,
Like priceless treasures sinking in the sand. 


Claude McKay, 1921 

Shenandoah Literary

In This Dream  

poem & photo by Elizabeth

IN THIS DREAM

They’re here!
I rip the package,
pull sheer stocking over toes, ankle, shin, 
beyond the line where prosthesis extends my leg.
This hosiery will animate prosthetic limbs, 
transform molded resin into skin,
skirts soon fluttering along my thighs 
as I skip on these feet, 
attract with these calves, 
no longer rolling on wheels or 
hiding my legs from pitying stares. 

I will be normal. 

Yet as I examine my stockinged leg, 
I discover the turquoise seam 
marking the boundary of prosthesis and flesh. 

Deformed, dependent, tricked by desperate hope, 
I fold and cry, knowing I’ll never look or walk like others. 

Perched on a nearby boulder, my Soul-body marvels 
at the powerful wings unfurling from between my hunched 
shoulders, grief shrouding me from their luminous tips 
as they rise toward the sun.

Thank you to the editors of riverbabble for first publishing this poem.