Simultaneity

Poem & photo by Elizabeth
SIMULTANEITY


When you touch me—I am
breath rather than a woman breathing.
One thousand wings, a single beat,
split sky with summer rain.

Breath rather than breathing
fills the empty glass.
Split sky with summer rain
reveals horses carved in stone.

Fill the empty glass
with wine of roses, lilac, heather;
reveal horses carved in stone
but not hands that formed their symmetry.

With wine of roses, lilac, heather,
toast grass that fractures concrete blocks
but not hands that formed the symmetry
of streets concealing streams.

Toast grass that fractures concrete blocks
beside the woman reaching toward you;
on streets concealing streams
she begs for food, shelter beyond grasp.

There is a woman reaching toward you;
her face is old, possessions few,
as she begs for food, shelter beyond grasp,
and I see you, I see myself within her mask.

Her face is old, possessions few;
she came to laugh—she came to love,
and I see you, I see myself within her mask
reflecting how the earth breathes.

We came to laugh—we came to love;
one thousand wings, a single beat
reflecting how the earth breathes
when you touch me.


Thank you to the editors at Scribendi for first publishing this poem.

Living on the Streets

Poem & photos by Elizabeth
LIVING ON THE STREETS

I never chose to be here
Amid concrete and cheap booze—
I’d sooner die but bodies carry on for years.

I hear the wailing ricochet of children
Held within this hell of rolling veins.
No, they never, never chose to be here.

Limbs stiffened from cold sidewalks trap me 
As pustules grow and lice feed on my skin—
I’d sooner die but bodies carry on for years.

Violence is not televised on streets; instead, it jeers at battered
Skulls and broken bones—we’re easy prey for kids.
No, I never chose to be here.

Whiskey holds back cold and memories that leer of oboe played
Amidst the smoke, thighs wrapping mine through dawn.	
Now, I’d sooner die but bodies carry on for years.

With deafened ears and eyes averted, you comment on 
My stench as you dart into the restaurant;
I never chose to be here—
I’d sooner die but bodies carry on for years. 

Thank you to the editors of Mediphors: A Literary Journal of the Health Professions for first publishing this poem.

If Not For Silence

Poem & photo by Elizabeth

IF NOT FOR SILENCE

In their mad Sufi dance words whirl off tongues

loose as hot snakes as we struggle to speak with rudiments—

mostly we quarrel, walk away, but sometimes manage

to weave them like a lovers’ embrace beneath that open-voweled moon,

which vacillates between  the startled suck of air through pursed lips

and a night so long that, shy, she slips beyond the sun’s unerring watch.

Words electrify nerves till air feels like a panther lapping our luminous skin,

but it is silence that exposes our fiery hearts to serpentine tongues,

silence that would strip our marrow if not for the pulsing muteness

of flesh kneading flesh, of snakes and stars and moon-shackled seas.

Thank you to the editors of HOT FLASHES 2 for first publishing this poem.

Soaked

Art & poem by Elizabeth
SOAKED


I want you in my home to know you’re not alone
in those long-shadowed halls paced by perpetually
lost—dementia scouring their last stains of memory

more than safe,
I want you to feel safe
yet I’m drowning in this
deep dank bog of lung

rain sluices from leaves beneath a starless sky
as distant shouts urge me to find my way back
yet I am beyond lost having unwrapped and dropped
their safety rope from my waist so I could reach you

all my cells replicated yours when you were
my sole cord to life—for that I worshipped you
till the God, Hormones, ascended


as I stumble over elephantine roots,
machete through plants so large dinosaurs
must still exist on this swampy earth,
my lungs match each step's suck of mud,
every breath a drowning, yet I won’t
release this taut line between us mottled
with white ash and blood dark wine nor
understand how your Emmental brain
won't let you walk or know where you are
in time, yet provides lucid wit and end-
less memory for the inconsequential



years now since I severed and flung
our rope in your flames yet you remain
tangled as worry and seared to my palm
when I reach for you in wake or in dream
unable to rest or breathe for want of you



Thank you to the editors of Melancholy Hyperbole for first publishing this poem in an earlier version.

If Bird

poem & photo by Elizabeth
IF BIRD

You would be my loon
calling long past light, 
my mourning dove, my
sweetest finch flashing
sun from black as night.

If my bird you were I’d
feed you nectar from my 
palm and plant thick trees
for you to rest and nest until
I could transform my arms
and hands to feathered limbs—
our hearts remade as song.

Thank you to the editors of The Tishman Review for first publishing this poem.

Conjuring

poem & photo by Elizabeth
CONJURING


Pursuing the brilliance of scarlet macaws, the insides of blood oranges, a blue so deep wind scrapes spray off the crests of waves, I remember the shock of blue against black in the face of our Siamese cat who had asthma like me. The runt of the litter, he would play till he collapsed, a hump of fur, sides heaving, mouth open, eyes closed, thin high wheezes accompanying each impossible breath. I’d massage him when he wheezed and couldn’t understand why he was put to sleep. In the following weeks I hid in my room when I had asthma, scared the next time it would be me. Or that I’d be sent away like my older sister who rarely called and was only spoken of when I asked, though I knew better. She juggled oranges, made dimes disappear before pulling them from my ears, and tickled me till laughter and her fingers were all that existed, masking even that keen longing for my father’s return.

I’d watch for him on commercials with tall smiling men holding their daughters and in the families saved by Casper and Mighty Mouse. I craved him as other kids told how their dads were lawyers like Perry Mason, doctors like Kildare, or were so strong they built houses and carried their kids around piggyback. I knew if I were good enough he wouldn’t be dead anymore. He’d come back if I did what I was told, was nice, always smiled. I felt him in the large arms of men and reached for him as I placed my feet on top of another man’s huge shoes, my arms stretching up, our hands holding as he walked, my feet and body shadowing his beneath uncontrolled laughter. My father became my guardian angel after I stepped alone onto the red ant nest hidden in rattlesnake grass. I screamed as their teeth tore flesh till large arms swept me up and carried me to cold water to dampen the hot sting.

Stinging like the night I packed my suitcase and ran away. Three blocks later I stashed my pink case, heavy and awkward in my six-year-old arms, behind Melissa’s neatly trimmed hedge. I didn’t know her well enough to ring the doorbell. I was unexpected, uninvited, yet she was the only girl whose house I recognized as it got dark. Peering through the opening between ivory drapes, I saw their dining room table set for dinner, her brothers playing beyond, and was startled by her father when he turned the corner of the outside of their house and asked what I was doing. Scared to say I’d run away, I asked if Melissa could play. As he pulled the long metal rod off the chain link fence, inserted it onto the sprinkler unit, and turned the water on full, he told me it was late, I should be home, out of the dark. I nodded, walked toward my house till he went inside, and then returned. Hugging the shadows, I watched them talk and laugh as her father cut thick slices of roast beef. I stared through that narrow lens of window and strained to hear words, learn their language.

When it got too cold, I went home. My mom, draped in diamonds and a low-cut red-sequined dress, was about to leave for cocktails. She said she knew I’d be back, that I had nowhere to go. I went to my room, pulled toy soldiers out of my closet, set up lines of defense, before she called me back, told me to fix the lower hinge, loose and squeaky, on her bedroom door. I tightened and oiled the hinge just as I would later tighten and oil the wheels and handlebars on my bike to ride the fire trails behind our house. Rubber scraped from my soles as I skidded round curves and clutched my handlebars as firmly as I had gripped the barrel of the rifle when I was seven. Aiming for cans, I pulled the trigger, my shoulder mottled blue, yellow, green, from the rifle slamming against my too thin body. But I kept pulling, conjuring my father in the activities of men.

And myself in the motion of animals. I would leap over objects with the fierce gallop of horses, move with the stealth of the great horned owl that rose like an apparition across a too huge autumn moon, or run with the cunning of the mouse beneath my red plastic wheelbarrow. Our best mouser couldn’t squeeze her tiger-striped face under the barrow so she placed her front paws on top of it, perhaps to jump, but it tilted and moved forward. The mouse paced itself to remain underneath so our cat stopped periodically to sweep her clawed paw between the wheels before returning to her hind legs to push farther. Near the cabbage plants the mouse darted into shadowed green. Tracing my finger through air, I tracked the means of escape. 


Thank you to the editors of Kalliope for first publishing this prose poem.

Graffito

poem & photo by Elizabeth

GRAFFITO

Three distinct letters, 
discrete as whispers
yet stark as sunrise,
stain this park’s 
concrete wall. 

S insinuates 
the dark entrance,
secret from those
passwordless,
but once in, one
snakes along this
sinuous passage

toward E, 
which sighs
like a wind-filled
cavern 
in the fold of a word
so bare 
it exposes the language of pores 
opening like stomata 
along nerve-laden skin,
of tongues probing  
tasting  moistening  unveiling
revealing the voracious 
pulse and press of pelvis  
belly  
even neck, bared 
for the thin membrane of skin,
primordial as sound rising 
from ancestral marrow
formed of molten rock and sky-filled sea

before X marks the space 
within and between.

Thank you to the editors of HOT FLASHES: sexy little stories and poems for first publishing this poem.

Touch

poem & photo by Elizabeth
TOUCH

hands awaken 
stars in skin
till our palms
press peace
deep as breath

yet this snow-blind 
animal need for touch
shared by grooming apes
and dogs sleeping entwined
is rarely about sex 

but instead our primal need to know 
we are not stones tossed out to sea
as we breathe the same air
molecules shared
in this brief habitation of skin

Thank you to the editors of 5AM for first publishing this poem.