Exit Through the Gift Shop

In the summer of 2009, a friend drove me past this sign, which I had to jump out and photograph while she drove around the block.

Turned out to be a happening for an artist involved with Exit Through the Gift Shop , a documentary that focused on Banksy: underground and overground hero, artist, thinker and social critic. He is illusive, creative, technically stunning, brave, quick and smart. While some argue that he is the best graffitist, Banksy has many peers.

Throughout the world, usually by night, graffiti artists draw attention to the greed and propaganda that relentlessly pushes products, images and manufactured lives into the primal part of our brains. Six repetitions is often enough to bypass our critical thinking skills so that we think something false is true. Yet these people and corporations cry foul when graffiti reveals the real cost of their words, images and products.

Exit Through the Gift Shop not only exposes ruthless greed, but also graffitists’ sensibility and artistic craft, courage and brilliant social commentary. This film explores both some of the best graffiti and guerilla art waged and why Life Is Beautiful!

She Enlivened

“Self Portrait” charcoal
“Self-portrait” charcoal

Carla Zilbersmith, inspiring theatre arts creative director, teacher, singer and comedian to her final words, wrote and performed her critically acclaimed one-woman show not long before her ALS diagnoses, which undermined the serious interest about to bring “The Wedding Singer” and Zilbersmith to a larger audience.

Wedding Singer Blues Carla Zilbersmith

Carla is part of my self-portrait since she helped me develop hand character for my class monologue. People loved Carla. I loved Carla. There are no words for such loss except ALS sucks! and her own:

http://carlamuses.blogspot.com/

http://www.facebook.com/profile.php?id=688804606&ref=ts

Night Snack

Tonight we plucked that apricot moon
and ate it,
not in a gulp,
but with long laps of tongues,
carving of teeth,
squeezing nectar against palettes
till it trickled
down
our
open
throats.

Thank you to the editors Linda Watanabe McFerrin and Laurie McAndish King for first publishing this in HOT FLASHES 2.