Last Days…

poem & photo by Elizabeth
LAST DAYS OF WINTER

War settles like dust for there is no other side 
when winds blow particles from Sudan to 
Hiroshima to icy rivers that wild coho 
struggle against to lay their bright eggs.
 

On the first day of the first war declared in this century 
the Asian Art Museum opens its doors with stilt-walkers 
dressed as emperors and geishas, and with musicians 
from Vietnam, Korea, Afghanistan, for music and art 
transcend transient politics and borders. Even 
the museum’s map of Asia’s Buddhist centers
proclaims Tibet’s sovereignty within China’s 
yawning border. Across the street a demonstration 
swells before City Hall to protest a war 
veiled in an amalgam of virtue, misinformation
and covert interests. 


Something ghostlike transforms this city. 
While most stores close, in others clerks 
focus like compulsive-obsessives just 
to get through the day and homeless 
walk the streets as if San Francisco’s
sole inhabitants. One woman, hair 
plaited with a plethora of mismatched 
ribbons mirroring her clothes, crosses 
against red. She zigzags mostly between 
the yellow lines while drivers remain 
uncharacteristically patient as if 
acknowledging the difficulty of accepting 
war without dissolving in a despair that 
threatens one’s ever-transient 
connection with life.


Within these museum’s walls images of Buddha, 
Bodhisattvas, White Tara embody prayers for all 
sentient beings and symbolize compassion, 
wisdom, the acceptance of suffering, as well as 
our ability to skillfully control rather than be 
controlled by our mad-wraith desires. 
It’s no longer a matter of us versus them, 
good versus evil. We are all messengers of God 
and we are all godless. Energy is neither created 
nor destroyed. All those who have lived and 
don’t yet live share our bodies through the food 
we eat, the air we breathe, the cells that ferociously 
regenerate throughout our lives. Prayer wheels 
fill these halls with unbound intent that passes 
through the walls, the streets, the world: may all
beings be healthy, may all beings be happy, 
may all beings live in peace. 

Thank you to the editors of Buddhist Poetry Review for first publishing this poem.

Beneath It All

CIMG5680 - Version 3
poem & photo by Elizabeth

BENEATH IT ALL

Love’s a hitchhiker,
so innocent in its leap
that it doesn’t register
torn seats or sunroofs
but simply hears
Come on in
and feels that smile
like a warm winter breeze,

but relationships
are rarely so simple:
the car must be washed
repaired, replaced
and trips planned
and changed with the
frequency of newborns’
diapers amidst increasing
conflict till compromise
shatters
like a windshield at eighty
against the centennial oak

but love, love’s not so
complicated—once stripped
of metal and fuel it
shimmers naked, senses
open to sky and skunk,
blizzards and vistas,
and is never

blind but radiant as a star
and enigmatic as a body
after the heart’s
final
beat.

Thank you to the editors of The Tishman Review for first publishing this poem.

Vision

Joya, photo by Elizabeth

Is there a more mysterious idea for the artist than to imagine the way nature is reflected in an animal’s eye. How does a horse see the world? Or an eagle? Or a deer or a dog? What a miserable convention that leads us to place animals in a landscape that pertains to our eyes rather than plunging ourselves into the animal’s soul in an attempt to understand his vision of things.

Franz Marc