Elizabeth

Flick’s Face

Mind you, I would totally see that movie.

Source and Inspiration: “Movie” by TabulaCandida.wordpress.com

Enough

I have nature and art and poetry, and if that is not enough, what is enough?

We are increasingly interacting with our phones rather than one another, whether with people walking by or the people we’re with. The screen also often holds our eye more than where we are, even when beside something as dynamic as the SF Bay and Golden Gate Bridge.

Eric Pickersgill, in his “Removed” photo series, edited out smartphones to reveal how lonely our world has become.

Friendship

Life is nothing without friendship.

Cicero

In the Sea

for whatever we lose

(like a you or a me)

it’s always our self

we find in the sea.

e.e. cummings

Sacred Trust

Bombay/Mumbai, India, 1994, INDIA-10207. Welder in a ship-breaking yard. Vessels from around the world end up in this Bombay/Mumbai ship-breaking yard to be broken down into scrap. This worker is one of the many that reduce these colossal ships to tons of valuable iron. It is a dirty and dangerous job. Before turning to his next task, this worker's eyes catch McCurry's camera. Magnum Photos, NYC5952, MCS1993006 K030. From the tangle of deconstruction in the shipbreaking yard of Bombay, a young welder stepped forward in 1994 to engage the camera. His eyes, redoubled by the goggles on his forehead, draws our gaze away from the ship's empty hold and we wonder about this young man, whose face we cannot read fully, whose head is protected only by the cloth that covers his mouth. The promise of our gaze meeting, through a photograph, the look of another across time, and vastly different spaces is one of the signature strengths of McCurry's art. Bannon, Anthony. (2005). Steve McCurry. New York: Phaidon Press Inc., 27. National Geographic Magazine. Vol. 188, No. 3, pgs.56-57, March 1995, Bombay: India's Capital of Hope. Phaidon, 55, Portraits, South Southeast, Iconic Images, final book_iconic, iconic photographs Goggles and scarf shield this worker from the choking dust and smoke of the ship breaking yard. Old ships are brought from all over the world to be cut up for scrap metal. National Geographic: John McCarry (March 1995) Bombay: India's Capital of Hope, National Geographic. (vol.187 (3)) pp.42-67 Portraits_Book South Southeast_Book Steve Mccurry_Book Iconic_Book PORTRAITS_book Untold_book PORTRAITS_APP final print_MACRO final print_Sao Paulo final print_Birmingham India_Book retouched_Sonny Fabbri 02/26/2015 — Steve McCurry photo

Children accept the world presented and we adults are responsible for changing what is presented.

Steve McCurry is my favorite photographer due to his stunning photographs and series as well as his focus on the beauty and inequity in this world. This one is from his “Children” series.

U.N. Anti-child labor organizations

Author: Elizabeth

Flick’s Face

Unless…

Enough

Lonely

Friendship

In the Sea

Sacred Trust

Look

Sound

Chihuly Glass